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Browsing Konturen: Vol 12 (2022) by Title
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Ostmeier, Dorothee
(University of Oregon, 2022)
Short experimental films by the German female director duo Lina Sieckmann und Miriam Gossing put domestic environments on cinematic display in new and challenging ways. The essay discusses the links between the films’ ...
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Boos, Sonja
(University of Oregon, 2020)
Introduction to Volume 12 of Konturen.
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Brauerhoch, Annette
(University of Oregon, 2022)
In 2016 Recha Jungmann’s film Etwas tut weh (Something Hurts, 1976) was rediscovered and restored. Jungmann, alongside with Ula Stöckl, was one of the few women graduates of the Hochschule für Gestaltung in Ulm, where Edgar ...
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Zapperi, Giovanna
(University of Oregon, 2022)
Mostly known as one of the leading actresses in 1960s-1970s French cinema, Delphine Seyrig was also a media and a feminist activist working collaboratively within the framework of the women’s liberation movement. This ...
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Pek, Ying Sze
(University of Oregon, 2022)
Review Essay.
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Boos, Sonja
(University of Oregon, 2022)
Long recognized as a pioneer of experimental filmmaking and feminist documentary theory, Julia Lesage is the closest we have to a feminist film scholar-practitioner. This interview was conducted by Sonja Boos on 16 January, 2020.
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Vasko, Jillian
(University of Oregon, 2022)
Review Essay.
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Lin, Jenny
(University of Oregon, 2022)
This article explores anti-racist, feminist performance and video art by kate-hers RHEE and Patty Chang. Parodic performances of awkward sexual encounters in works such as RHEE’s The Chocolate Kiss (2013) and Chang’s The ...
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