Term | Value | Language |
---|---|---|
dc.contributor.author | Linver, Daniel | |
dc.contributor.editor | Voelker-Morris, Julie L. | |
dc.contributor.editor | Voelker-Morris, Robert J., 1969- | |
dc.date.accessioned | 2015-01-07T22:58:58Z | |
dc.date.available | 2015-01-07T22:58:58Z | |
dc.date.issued | 2012-01 | |
dc.identifier.issn | 1541-938X | |
dc.identifier.uri | http://hdl.handle.net/1794/18685 | |
dc.description | 5 pages | en_US |
dc.description.abstract | This article is an initial step into interrogating the current and future relationship between the artist and audience. Understanding how different technological advances have affected the relationship between artist and audience is also key to getting an idea of how the relationship has changed and what factors have contributed to the ways in which artists and audiences currently relate. The new methods and approaches that have followed these technological advances have shaped both the manner in which art is being created as well as the way in which art is being funded. | en_US |
dc.language.iso | en_US | en_US |
dc.publisher | Institute for Community Arts Studies, Arts & Administration Program, University of Oregon | en_US |
dc.rights | Creative Commons BY-NC-ND 4.0-US | en_US |
dc.subject | CultureWork | |
dc.title | CultureWork ; Vol. 16, No. 01 | en_US |
dc.title.alternative | Crowdsourcing and the Evolving Relationship between Artist and Audience | en_US |
dc.type | Article | en_US |