Term | Value | Language |
---|---|---|
dc.contributor.advisor | Karlyn, Kathleen | en_US |
dc.contributor.author | Ennis, Larissa | en_US |
dc.creator | Ennis, Larissa | en_US |
dc.date.accessioned | 2012-10-26T01:42:15Z | |
dc.date.available | 2012-10-26T01:42:15Z | |
dc.date.issued | 2012 | |
dc.identifier.uri | http://hdl.handle.net/1794/12333 | |
dc.description.abstract | Larissa Ennis Doctor of Philosophy Department of English March 2012 Title: Melodramas of Ethnicity and Masculinity: Generic Transformations of Late Twentieth Century American Film Gangsters The gangster film genre in America has enjoyed a long history, from the first one-reelers | en_US |
dc.language.iso | en_US | en_US |
dc.publisher | University of Oregon | en_US |
dc.rights | All Rights Reserved. | en_US |
dc.subject | Ethnicity | en_US |
dc.subject | Gangsters | en_US |
dc.subject | Genre | en_US |
dc.subject | Masculinity | en_US |
dc.subject | Melodrama | en_US |
dc.subject | Victimhood | en_US |
dc.title | Melodramas of Ethnicity and Masculinity: Generic Transformations of Late Twentieth Century American Film Gangsters | en_US |
dc.type | Electronic Thesis or Dissertation | en_US |